January 6, 2012

Today I’m going to stop playing Fallout 3. Too much gray sky, too much bugs and sadness. I honestly think there isn’t a more depressing title that still moves copies. I just get filled with pity for humanity, and fatalistic thoughts of the potential for romance and empathy in the post-apocalyptic future circle the drain in my head only to be yanked down into the doodoo sewer by, and I’m not sure about this, either gravity OR the Devil. If you’re still playing it DON’T. STOP. QUIT. I’m desensitizing to life.

Okay, 10% of the game is neat, science-y philosophy: ‘What would nice people do to help the world if we didn’t have stuff?’ A neat plot and Liam Neeson nudging you along the mutant-strewn path like an English bulldog make for what is, at times, a rollicking quest to do Good in the No-Good. But 90% is opening a door to find a group of scared humans who raise a gun to your face and scream something along the lines of “What the f___ are you doing here?” I’m pretty sure that happens every 5 seconds in that game, you open a door, and another human threatens to kill you and reprimands you for exploring the game’s environment. When did we decide shut-ins wouldn’t Boo Radley people and help fix their arms and shit? I say give me New Vegas anyday. Blue sky, country music. You open a door and there’s a robot zooming around who says cool stuff like, “Hey pardner, I fixed your gun! Mind if I dance for ya?”

By anyone’s (girlfriend’s) account, video games are a significant waste of time. You’re alone, to the naked eye, just sitting there. You are exerting effort in the hopes that nothing about the world around you will have changed. It’s like one of those jobs people are paid to do that are completely pointless, like an abstinence teacher. Or the 13 guys who animated nuclear PSA cartoons for children in the 50s. Or working in media. Playing video games does nothing for no one.

But what about books. Don’t books do that? You’re not thinking about books when you say that I’m not doing anything. Let me tell you, I read books. I read the words. All of them. And nothing changes. They say my nose and ears are always growing, which is unfortunate, because my body is basically a runaway, aging train that more and more people will assume is Jewish the older I get. But when I read I learn things; especially when it’s literature. The crazy thing is when somebody tells me I play video games too much and then you ask them what they’re reading and it’s, like, The Giving Tree. For the 15th time. (“It’s my favorite!” “Doesn’t that kid end up killing the tree? Didn’t that book kill a tree to be a book?”) I try to read actual books, and I hope that leads me to games as sophisticated as my other tastes. But then me and my roommates gather around the TV and play Soul Calibur IV, and four hours of gigantic Japanese swords and gigantic Japanese failures to understand the reality of the female anatomy later I find there’s nothing sophisticated in what gets me going with the controller in my hand.

It’s the fake fighting. I just want to fight stuff. There’s a reason why there’s not a Boo Radley game. It’s because games are better when you get to be the one to break people’s arms; books make you want to fix them.

April 21, 2011
No. 4

“Hot Girl By The Fountain” (2011)


Made as part of a class teaching basic 3-act structure, “Hot Girl” was the subject of public debate. The film my group shot off a script I wrote garnered us public scorn from professors and a 65. Truth be told, we did a lot of things they told us not to do. Here it is available for public viewing for the first time ever. Is it crap? Is it better than crap? Is it a workmanlike, unadorned short that strolls along to the beat of its own bemused drum? Tell me later.

March 23, 2011
“Kevin” - A short short story.

When I woke up this morning, I could smell Kevin. Rain dripped slowly across the face of the window, and the coffee pot in the kitchen was going. It’s a fancy one, it’s got a timer and everything. Usually, I wake before Kevin. I get up, strip completely naked for the first and last time of the day—this is a usual day that we’re talking about—and I shower in the nude for fifteen minutes, scrubbing everything I got with soap and washing it all off again. I get out, towel down, dress, and go to the kitchen. The scent of the brewing coffee could drive a man insane; it’s a good thing I’m a lady or I might kill everyone in the complex from fevered masculine bloodlust on account of the smell of that damn hot coffee. I try to just have the one cup, because, Lord, if I have two or more cups of that damn Joe I might kill everyone in the complex from Joe fever. I drink the one cup—this is a usual day—and I think of Kevin. I wonder where he slept the night before, who he was with, what he did for dinner, how he felt waking today and if he woke thinking of me the way I usually woke thinking of him. I put on three coats and two hats. I take two big deep breaths and I go outside. I know Kevin wants to speak to me. There’s nothing I want more in the world than for him to appear suddenly, rapturously before me at moments like this, beside me throughout the dull business of my mornings. Would that it were the USUAL. But it is not to be. Shivering, pulling my outermost coat closer to my second most outermost coat, I cross the highway to the 7/11. I buy cigarettes for Kevin even though I know when I give them to him he will not light a one. On a usual day, I say something to the brown boy behind the counter, something nice like, “The puddles in the parking lot are very pretty today,” because I know no one ever says nice things to a boy like that. The only people who come into the 7/11 are dour folk, droopy eyes and disfigured spirits, all. I wave a thrice-mittened hand at him in farewell and leave, dinging the electronic bell noise as I push out the door. It is then that I see Kevin, across the street. Fully across. From stem to stern, soup to nuts, head on one end and the rest of him fully across the other. I can’t weep; I’m a lady damn it, and a lady doesn’t weep on the highway. It will take the black metal dustpan to get all of him back together and out of the road, but it is almost time for the rush hour. I guess it isn’t a usual day. On a usual day, a squirrel would be off picking up giant nuts, and taking them back to his secret wooded hole, hoarding a store for the winter like a squirrel ought to. Damn the road and its cars. Kevin was my squirrel.

March 16, 2011
[Flash 10 is required to watch video]

corporatejuggernaut:

Hey, it’s a promo!

Wake the funk up, Nashville! Corporate Juggernaut is coming and you’re not even ready! Where are your manners?? Where are your baked goods, your hospitality?? Welcome the newest, weirdest, finest manufacturer of live comedy since 2011 into your lives and hug it bodily. It’s at the Basement, below Grimey’s on 8th Av South, only 5 bucks, and featuring some truly hilarious people. Hosted by Gary Fletcher. Go to it because you’re young and beautiful and no one’s telling you not to. Go because you’re going to.

In May I’m joining up with the show, and then it’s just going to get ridiculous.

Pack a lunch, dandies! You’re gonna wanna stay.

(Source: corporatejuggernaut)

March 2, 2011

(Source: drunkenbutler, via rebekahlain)

February 15, 2011
2/14/11

2/14/11

January 31, 2011
Late last year, I commissioned my good friend, the mega-talented Rebecca D. Moore to draw me. It was a quid pro quo: she gets practice drawing people’s faces, I get an awesome drawing of my face. I asked for one thing: a mustache.
The result exceeded my expectations by a Justin Longshot.
Well, what do you think?

Late last year, I commissioned my good friend, the mega-talented Rebecca D. Moore to draw me. It was a quid pro quo: she gets practice drawing people’s faces, I get an awesome drawing of my face. I asked for one thing: a mustache.

The result exceeded my expectations by a Justin Longshot.

Well, what do you think?

January 30, 2011
Best episode thus far.

Best episode thus far.

(via rebekahlain)

January 17, 2011

seancomedy:

I’m thinking about trying to do this every day in 2011.  Sounds like a bad idea, doesn’t it?

Sean Parrott is smirk-inducing.

January 16, 2011
No. 3


The last Glasses 2 Glasses for what could be a long, long while. Gary Fletcher’s still doing hella standup hella well. Take him out for a sandwich.